{"id":2309,"date":"2023-07-03T19:08:08","date_gmt":"2023-07-03T17:08:08","guid":{"rendered":"https:\/\/korstick.grafikwien.at\/diskographie\/rachmaninoff-piano-concerto-3\/"},"modified":"2024-05-27T19:17:53","modified_gmt":"2024-05-27T17:17:53","slug":"rachmaninoff-piano-concerto-3","status":"publish","type":"diskographie","link":"https:\/\/korstick.grafikwien.at\/en\/diskographie\/rachmaninoff-piano-concerto-3\/","title":{"rendered":"Rachmaninoff Piano Concerto 3"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css=&#8221;.vc_custom_1695894661706{margin-bottom: 70px !important;padding-top: 0px !important;}&#8221;][vc_column]<h1 class='prehadline '>DISCOGRAPHY MICHAEL KORSTICK<\/h1>\n\t\t\t<h1 class='headline ' style=''>\n\t\t\t\tRachmaninoff 3\n\t\t\t<\/h1>\n\t\t[\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1695894665889{padding-bottom: 100px !important;}&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;1116&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<strong>Piano Concerto No. 3 in D minor op. 30<\/strong><br \/>\nSonata No. 2 in B flat minor op. 36<br \/>\nCorelli Variations op. 42<br \/>\nJan\u00e1\u010dek Philharmonic Ostrava<br \/>\nDmitry Liss, conductor[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]&#8221;Michael Korstick demonstrates the thematic density of the material, forging, so to speak, an ecstatically glistening work &#8230; Transitional episodes and dense contrapuntal passages &#8211; in the development section, for example &#8211; are of the highest transparency and emphasis.&#8221;<br \/>\n<em>Fono Forum<\/em><\/p>\n<p>&#8220;A release of extraordinary merit and a pianophile&#8217;s delight.&#8221;<br \/>\n<em>American Record Guide<\/em><\/p>\n<p>&#8220;Quelle technique d&#8217;accord impressionante! Splendid! Ce type de jeu est assez proche de la fa\u00e7on m\u00eame du compositeur.&#8221;<br \/>\n<em>Diapason<\/em><\/p>\n<p>&#8220;Super-abundance of technical bravura, and volcanic temperament.&#8221;<br \/>\n<em>Gramophone<\/em><\/p>\n<p>&#8220;Eminently pianistic and dramatic.&#8221;<br \/>\n<em>pizzicato<\/em><\/p>\n<p>&#8220;D&#8217;ailleurs le classicisme parfait, l&#8217;allant m\u00eame du jeu, la palette dynamique, l&#8217;art de toujours faire chanter autant la main gauche que la main droite dans les instants d&#8217;exaltation comme dans les replis lyriques &#8211; \u00e9coutez l&#8217;\u00e9pisode vif de l<em>&#8216;Intermezzo<\/em>  ! &#8211; sont absolument ceux que le compositeur m\u00eame employait dans son inalt\u00e9rable enregistrement sous la direction d&#8217;Eugene Ormandy. (Dans la) si redout\u00e9e<em> Seconde Sonate<\/em>: il y \u00e9gale la furia qu&#8217;y mettait <em>Vladimir Horowitz<\/em> par un jeu tout aussi incendiaire, mais sous ses doigts, la logique des structures appara\u00eet en majest\u00e9. Tout grand disque d&#8217;un pianiste n\u00e9 pour cette musique.&#8221;<br \/>\n<em>artalinna.com<\/em>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row&#8221; css=&#8221;.vc_custom_1686576459228{padding-top: 50px !important;padding-bottom: 100px !important;background-color: #ededed !important;}&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>Listen to or order CD<\/strong><\/p>\n<p>[\/vc_column_text][vc_empty_space]<a target='_blank' href='https:\/\/www.jpc.de\/jpcng\/classic\/detail\/-\/art\/sergej-rachmaninoff-klavierkonzert-nr-3\/hnum\/8702388' class='btn blue center ' title='LINK ZU JPC'>LINK ZU JPC<\/a>[vc_empty_space]<a target='_blank' href='https:\/\/www.amazon.de\/Klavierkonzert-3-Korstick\/dp\/B07FTXHDDL\/ref=sr_1_fkmr0_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&crid=3AA9ENFP9MY6M&keywords=korstick+rach+3&qid=1691853274&s=music&sprefix=korstick+rach+3%2Cpopular%2C79&sr=1-1-fkmr0' class='btn blue center ' title='LINK ZU AMAZON'>LINK ZU AMAZON<\/a>[vc_empty_space]<a target='_blank' href='https:\/\/open.spotify.com\/intl-de\/album\/6GRPWMjdkpt53Jvc1lFvCv' class='btn blue center ' title='LINK ZU SPOTIFY'>LINK ZU SPOTIFY<\/a>[\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1695894661706{margin-bottom: 70px !important;padding-top: 0px !important;}&#8221;][vc_column][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1695894665889{padding-bottom: 100px !important;}&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;1116&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]Piano Concerto No. 3 in D minor op. 30 Sonata No. 2 in B flat minor op. 36 Corelli Variations op. 42 Jan\u00e1\u010dek Philharmonic Ostrava Dmitry Liss, conductor[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]&#8221;Michael Korstick demonstrates the thematic density of the material, forging, so to speak, an ecstatically [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"class_list":["post-2309","diskographie","type-diskographie","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/korstick.grafikwien.at\/en\/wp-json\/wp\/v2\/diskographie\/2309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/korstick.grafikwien.at\/en\/wp-json\/wp\/v2\/diskographie"}],"about":[{"href":"https:\/\/korstick.grafikwien.at\/en\/wp-json\/wp\/v2\/types\/diskographie"}],"wp:attachment":[{"href":"https:\/\/korstick.grafikwien.at\/en\/wp-json\/wp\/v2\/media?parent=2309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}